Below is the shotlist I created after creating the script. This was then looked at by the rest of the group and edited accordingly by each person. We all decided on a final shotlist and this is what we came up with. Obviously this is liable to change during the production and we will treat this as a guideline more than an actual instructional list. We hope to get all these shots and more done in the two days we have available for shooting at our location. As you can see in scene 4 we are already changing the script and editing scenes out. However we are still confident about the overall piece and are looking forward to turning this into the final product. The next step is creating a storyboard so we can create an image for the shooting day.
FADE IN:
INT. DINING ROOM #1 – DAY
·
Mid shot of daughters face
panning out straight above her eyeline as she watches Father exit. 10secs cut
by door shutting.
INT. DINING ROOM - DAY
·
Wide shot at Father and
Daughters eyeline level of them at Dining room table. 4secs
·
2 shot from other side of table
(Still at same eyeline) 7secs
·
Close up of Father Saying Don’t
worry, we’ll get it done together flower 3secs
·
Close up of Daughters smiling
back at Father. 2secs
·
Back to 2 shot as they carry on
with work. 3secs
INT. BEDROOM #2 - DAY
·
Tracking shot starting at far
right side of bedside table moving right to left through the pictures and over
to a mid/long shot of Father sat on bed looking at a picture and smoking. Stays
on until he puts down picture. 12secs
·
Cutaway shot of bedside table
as he puts the picture back on it and takes the pill box from the surface.
4secs
·
Cuts back to mid/long shot of
father taking pills. 5secs
·
Static wide shot in corner of
room throughout Fathers different mood swings.
INT. BEDROOM – NIGHT
·
Establishing shot of clock on bedside table (or on wall in bedroom)
the time showing 1.30am focus pulls to father in bed shuffling.
·
Long shot looking straight down
at Father layed in bed trying to get comfortable then sighing and getting
straight out of bed.
·
Mid shot with bed in
background, Father is pacing from right out of shot to left out of shot
repeating this about 3 times.
·
Long shot to other side of
bedroom looking at door as he decides to walk through it.
INT. KITCHEN - NIGHT
·
Shot inside fridge as Father
opens door to get food
·
Mid shot side view of fridge as
Father piles up food in his hands then closes it with his feet and exits toward
Living Room.
INT. LIVING ROOM - DAY
·
Tracking mid shot or over the
shoulder of Daughter walking into room and seeing Father slumped on sofa.
·
2 shot and over the Fathers
shoulder shot as Daughter clears up mess around father and nudges Father.
·
Mid shot of father as he
awakes.
·
Back to 2 Shot as she grabs her
bag and leaves. (door slams in
background)
INT. DINING ROOM #3 - DAY
·
Long shot of front door as
daughter arrives.
·
Long shot down hallway that
Daughter is in as Father appears quickly into the frame.
·
Tracks and pans with daughter
as she walks into the Dining Room
·
2 shot at Dining room table as
they sit and talk.
·
Close up of Father
·
Close up of Daughter
·
Mid shot of Father
·
Mid Shot of Daughter
·
Cutaway shot of pills next to
or on daughters side of the table.
INT. LIVING ROOM - DAY
·
Long shot framing daughter
central but Father in the right side slumped on the sofa as daughter gives
Father a cup of tea
·
Mid shot of Fathers vacant
expression at his eyeline
·
Mid shot as Daughter speaks and
her expression afterward
·
Mid shot of Fathers vacant
expression
·
Back to 2 shot
·
Mid shot as daughter holds back
tears and turns around to exit room
·
Back to mid shot of Father
still with a vacant expression.
INT. KITCHEN - DAY
·
Wide shot of daughter crying on
kitchen surface.
I/E. CAR #4 - NIGHT
·
Establishing night shot looking
up at stars but with trees at bottom of frame
·
Long shot of Father in car
·
Mid shot from back of car
looking out of car windscreen
·
Mid shot inside car looking at
Father dreamlessly staring at nothing.
INT. LIVING ROOM - DAY
·
Mid shot daughter reading at
eyeline
·
Wide shot as Father enters room
with flowers in hand and says line.
·
Mid shot back to daughter
·
Mid shot of father
·
Back to 2 shot
INT. LIVING ROOM/DINING ROOM #5 - DAY
·
Long shot of front door as
daughter arrives.
·
Long shot down hallway that
Daughter is in.
·
Tracks and pans with daughter
as she walks into the Dining Room
·
Wide shot at Dining room table
as father stands up angrily
·
OTS shot of Father as he
marches up to her
·
Mid shot of Father
·
Mid Shot of Daughter
·
Close up of Father
·
Close up of Daughter
·
2 shot as daughter grabs pills
toward pills.
·
OTS shot looking at Father as
he hits pills out of Daughters hand.
·
Close up father as he starts to
push forward at her
·
Handheld 2 shot as Father talks
and pushes daughter to the ground
·
Mid shot low angle from high up
as we follow Daughter fall to the ground
·
Mid shot/reverse shot of both
the reactions in silence starting at Father then at Daughter
·
Back to Father as he leaves the
room at exits.
·
Back to Daughter (Same shot as
opening scene) as we hear the car start and Father drive off
EXT. BRIDGE #6 - DAY
·
Wide shot of car arriving at
entrance to bridge and Father getting out of car, smoking and walking toward
bridge
·
Mid/Long shot of him walking
away from camera toward bridge
·
Mid shot tracking in front of
him as he walks and arrives at bridge edge
·
OTS shot of him as he looks
down
·
Wide shot at other side of
bridge looking at him
·
Wide X Long shot from away from
the bridge as he is looking
·
Mid shot as he steps back and
puts his hand into his back pocket
·
Cutaway Close up following his
hand holding his wallet as he opens it and gets out a picture of his Wife and
Daughter together putting his wallet back straight after.
·
Close up High angle looking up
next to where his hand is looking at his expression as a tear runs from his
face
·
Mid shot panning up slightly as
he looks up and bursts into tears maybe handheld
·
Back to Wide shot.
·
Mid shot again as he gets
phonecall and answers it
·
Close up of face whilst he is
talking and looking at picture
·
Cutaway of pic again?
·
Back to mid shot as he puts
down phone and puts pic back into back pocket. Starts to walk forward
·
POV shot as he steps up to edge
looking at feet and then down to bottom of bridge
·
Wide shot at other side of
bridge again
·
Mid shot from him looking down
and examining bottom expressionlessly and then looking up to the camera for
5secs
END
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